PT / EN

Carlos Carvalho Arte Contemporânea, Stand D01

Thursday 25 > 11:00am - 9:30pm (invitation only)
Friday 26 > noon - 8:00pm
Saturday 27 > noon - 8:00pm
Sunday 28 > noon - 6:00pm

Tiago Casanova

Tiago Casanova (Funchal, Portugal, 1988) studied Architecture at Faculdade de Arquitetura da Universidade do Porto, where he was one of the founders of Scopio - International Photography Magazine in 2010. He was also one of the founders of the XYZ Books Publishing house and Bookshop in 2013, A ILHA (Gallery and Art Space) in 2014, and Estúdio Bulhufas in 2017.

Tiago Casanova has been exhibiting his work regularly in solo and group shows since 2006 in many countries such as Portugal, Spain, Austria, Belgium, UK, Slovenia, Slovakia, Germany, Scotland, Brazil, Iceland, Switzerland, Hungary, Colombia and Italy. Besides the work he produces in the context of his artistic investigation and practice, he also develops a professional career as an editor, book-maker, curator and exhibition designer. In 2012, he was the recipient of the BES Revelação Photography Award, in 2014, his work was mentioned for the best work selection at Plat(t)form - Fotomuseum Winterthur, and in 2015 he won the Jury Award at Festival A3 Bandas in Madrid.

 

Working mainly with photography, Tiago Casanova uses his architectural background as a starting point to research and build new artistic projects, exploring different contemporary approaches coveting the use of various media (such as installation, sculpture, illustration, drawing, video, sound, text and specially photography), in order to reflect and comment on the cities, on the territory and on today's society.

This project presented at ARCOLisboa 2023 inherits the artist interest in the subjective and allegorical readings of the photographic image, in-between reality and fiction.

Untitled “H02 015”, 2019
Inkjet print on fine art paper Epson Hot Press Bright, 330gsm, 100% cotton
86 x 65 cm
“Wave”, 2023
Inkjet print on fine art paper Epson Hot Press Bright, 330gsm, 100% cotton
65 x 86 cm
Untitled “H09 011", 2018
Inkjet print on fine art paper, Epson Hot Press Bright, 330gsm, 100% cotton, 40x53 cm
Untitled “G67 016”, 2017
Inkjet print on fine art paper, Epson Hot Press Bright, 330gsm, 100% cotton
40x53 cm
Untitled “H51 011”, 2022
Inkjet print on fine art paper Epson Hot Press Bright, 330gsm, 100% cotton
86 x 65 cm
Untitled “H22 006”, 2021
Inkjet print on fine art paper Epson Hot Press Bright, 330gsm, 100% cotton
53 x 40 cm
Untitled “H55 009”, 2022
Inkjet print on fine art paper Epson Hot Press Bright, 330gsm, 100% cotton
53 x 40 cm
“Back Cleavage”, 2019
Inkjet print on fine art paper Epson Hot Press Bright, 330gsm, 100% cotton
40 x 27 cm
"Head”, 2019
Inkjet print on fine art paper Epson Hot Press Bright, 330gsm, 100% cotton
40 x 27 cm
Untitled “H51 011”, 2022
Inkjet print on fine art paper Epson Hot Press Bright, 330gsm, 100% cotton
86 x 65 cm

José Maçãs de Carvalho

After obtaining a first degree in Modern Languages and Literature (Coimbra University, Portugal), José Maçãs de Carvalho (Anadia, Portugal, 1960) completed a postgraduate course in Management of the Arts (Institute of European Studies in Macau, 1998) in Macau where he taught and lived from 1994 to 1999. He obtained a Phd in Contemporary Art at  Colégio das Artes, University of Coimbra, Portugal, in 2014.

He teaches at the University of Coimbra, in the Architecture Department and Colégio das Artes where he is the Supervisor of the Master degree in Curatorship. Since 2020 he is the curator of the Coimbra Contemporary Art Center.
He has received scholarships from Fundação Gulbenkian (1994), Fundação Oriente (1999-2001), Instituto Camões (2001) and Centro Português de Fotografia (2003). He has works (photographs and videos) in several public and private art collections .

He was both curator and participant in the exhibition My own private pictures (Plataforma Revólver, LisbonPhoto Biennial, 2005), which lay at the origin of his nomination for the BES Photo Prize in 2005 (most important prize for photography in Portugal).In 2008 was shortlisted for the Pictet Prix (Suisse Bank Award for Photography).

He´s been showing photography since the early 90s  and video since the 2000s. In 2013 showed videos in New York and Paris ("Fuso NY”, Union Square Park, and “Chantiers d´Europe”, Theatre de la Ville), and in 2011 in Oslo (“When a painting moves...something must be rotten!”, Stenersen Museum). Between 2011 and 2017 set up seven exhibitions as a practical project for his doctoral programme around the subject of archive and memory at CAV, Coimbra; Ateliers Concorde, Lisbon and Colégio das Artes, Coimbra; VPF gallery, Lisbon; The City Hall Photographic Archive, Lisbon, Museu do Chiado and MAAT Museum in Lisbon and a book, “Unpacking: a desire for the archive”, was published by StolenBooks. In 2015, a book of photographs, “Partir por todos os dias”, was published by Editora Amieira. In 2016 his photographic work about Oporto university campus was published on a book called “Aspela” by Scopio Editions and Oporto Polytechnic Institute.

In 2016 the book “Archive and Apparatus” was published by  Centro de Arte de S. J. da Madeira and in   2017 also the book “Archive and Interval”, by Stolen Books/Colégio das Artes-Universidade de Coimbra and MAAT Museum, with contributions by Pedro Pousada, José Bragança de Miranda, Adelaide Ginga and Ana Rito.

Beirut 06, 2007
Photorag Paper, 100 x 130 cm

The series of works that José Maçãs de Carvalho exhibits for the first time at ARCOLisboa show large cactus that are found in quantity on the Algarve coast, along paths, next to the cliffs, in somewhat remote places.

"In these cactus I discovered, with admiration, the inscription of dates, Portuguese and foreign names and signs of celebration of love. of the peaks. This last act of naming, of the desire to record, thus becomes more admirable, to carve the uniqueness of another living being into the skin of a living being. What we were also discovering is that, concomitantly, the skin of the cato became the support of another last act of communication, for future memory, of certainly forgotten events. One of these photographs is titled “Beirut, 06”, because, in addition to the typical inscriptions (“Anita Badajoz” and “João ”), there is a kind of title that reads the name of the city of Beirut and the year 2006, remembering that summer, when the Israeli air force bombed the city, with the pretext of annihilating members of the political party Hezbollah . The bombings began in July and lasted until August, killing about 900 people."

José Maçãs de Carvalho

9/11, 2022
Photorag Paper, 100 x 130 cm
Istambul, 2007
Photorag Paper, 100 x 130 cm
Sari, 2007
Photorag Paper, 100 x 130 cm
Achille Lauro, 2007
Photorag Paper, 100 x 130 cm

Maria Condado

For Maria Condado (Lisboa, Portugal, 1981) landscape is not only a pictorial field of research but also a political and a social one. The artist freewheeling painting style, with its different layers of abstract fluid and vibrant colors, pretends to understand landscape as a cultural construction, a product of cultures, experiences that reveal ways of seeing the world. The artist has exhibited widely in group and in solo exhibitions throughout the country namely A Play of Boundaries (Carlos Carvalho, Lisbon, 2018), Uma loja, cinco casas, uma escola (Casa Bernardo, Caldas da Rainha, 2016), Ensaios sobre a (in)flexibilidade do natural – parte 2 (Ministério do Ambiente, Lisboa, 2014), Onde é a China?, (Museu do Oriente, Lisboa, 2016), 16º Programa de Exposições (Carpe Diem Arte e Pesquisa 2009), Hangart 7, (Salzburg, Áustria, 2009), Vestígio (Pavilhão 28, Hospital Júlio de Matos, Lisboa, 2005) and II Rothschild Bank Painting Prize Finalists Exhibition – Palácio das Galveias, Lisbon. Her works are held in numerous public and private collections such as PLMJ Foundation, Lisbon, Grupo RAR, Porto.“Hortus” is the name of her artist book edited in 2016 by Stollen Books, Lisbon.

Ruína Natural, 2023
Acrylic on canvas
150 x 120 cm

Maria Condado's ARCOLisboa showing includes a new series of works that presents an absence of traces or chiaroscuro that merge the viewer into this firm impulse of stains, textures and colors. It is this immersive effect that an artist seeks to create using the gesture of broad brush strokes and open composition, where movement is shown as a crucial element of human perception and experience.

 

Degelo, 2023
Acrylic on canvas
150 x 120 cm
Riot of Spring, 2023
Acrylic on canvas
150 x 120 cm
Aquário, 2023
Acrylic on canvas
150 x 120 cm
Delfos, 2023
Acrylic on canvas
150 x 120 cm
Untitled #9, 2022
watercolor, colour pencil and acrylic on paper 
20,5x29,5 cm
Untitled #10, 2022
watercolor, colour pencil and acrylic on paper 
20,5x29,5 cm
Untitled #12, 2022
watercolor, colour pencil and acrylic on paper 
20,5x29,5 cm
Untitled #11, 2023
watercolor, colour pencil and acrylic on paper 
20,5x29,5 cm
Untitled #13, 2023
watercolor, colour pencil and acrylic on paper 
20,5x29,5 cm
watercolor, colour pencil and acrylic on paper 
20,5x29,5 cm
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