André Príncipe lives and works in Lisbon, Portugal. Has studied Psicology at the Oporto University and also Advanced Film Directing at the London Film School/ Fundação Calouste Gulbenkian and Escola Superior de Teatro e Cinema in Lisbon, 2001. He is a photographer, editor, Film Director and also founder and co-editor of Pierre von Kleist worldwide distributed publishing house, specialised in photo books. André Príncipe captures a world that is universally human and highly personal, using  a diaristic approach in photography and exploring its capacity to think about life.

Marguerite Bornhauser's (1989, Paris) work has been shown at the museum of European Photography in Paris and Paris Photo in 2019, in the streets of Cincinnati for the Cincinnati Art museum, in Arles during the festival of Photography, in Deauville during the Festival Planches Contact, at BETC agency, Agnès B, in the festival MAP Toulouse, in London, etc. Marguerite Bornhauser adds editorial work to her photographic research. Her first book, Plastic Colors, was selected among the finalists of the first book award of Mack books in 2015 and published in 2017. Her book "8" was published by Poursuite in 2018. In 2019 she published Red Harvest with the same publisher. She also collaborates with french and international magazines and newspapers as a photoreporter and portrait photographer as well as a fashion photographer. Red Harvest, Poursuite Editions, 2019, 8, Poursuite Editions, 2018, Plastic Colors, Les Editions du Lic, 2017, Carnet de Résidence du Hameau des Baux, Poursuite Editions, 2017, Fisheye photobook, 2017, 8, Self published, 2016, Festival de créations photographiques à Deauville Edition 6, Filligranes Editions, 2015, Echappées Belles, Edition Diaphane, 2015, Plastic Colors, Self published, January 2015. In 2020 she won the Photo London x Nikon Emerging Photographer of the Year Award.

Mónica de Miranda (Porto, 1976) is an artist and researcher, her work is based on themes of urban archaeology and personal geography. She works in an interdisciplinary way with drawing, installation, photography, film, video and sound, in its expanded forms and in the boundaries between fiction and documentary.
She exhibits regularly and internationally since 2004 being nominated for Prix Pictet Photo Award (2016), Novo Banco Photo Prize (2016) and EDP New Artist prize (2019).
Her solo exhibitions include: “no longer with the memory but with its future" (Oratorio di San Ludovico, Veneza), “Taxidermy of the Future” (Museu de História Natural de Luanda, Angola, 2020), "Geografia Dormente" (Galeria Municipal de Arte, Almada, Portugal, 2019), “Tomorrow is Another Day” (Carlos Carvalho Arte Contemporânea, Lisboa, 2018),“Panorama” (Banco Económico de Luanda, Luanda, 2019;“Hotel Globo” (Museu Nacional de Arte Contemporânea do Chiado, Lisboa, 2015), “Arquipélago” (Galeria Carlos Carvalho, Lisboa, 2014).
Her collective exhibitions include: "Europa Oxalá" (curated by António Pinto Ribeiro, Katia Kameli and Aimé Mpane, Calouste Gulbenkian Foundation, 2022), "Dissonances" (MNAC, Lisboa, 2021), "Fotofest Biennial 2020", Houston, EUA, “Utopía y Distopias en el paisaje contemporáneo”, (MAAC, Guayaquil, Equador, 2019), “Taxidermy of the Future” (Bienal de Lumbumbashi, Congo, 2019), “EDP New Artists Prize”, (MAAT, Lisbon, Portugal, 2019), “Fiction and Fabrication. Photography of Architecture after the Digital Turn”, (MAAT. Lisbon, Portugal, 2019), “Doublethink: Doublevision” (Pera Museum, Istambul, Turkey, 2017), “Daqui Pra Frente” (CAIXA Cultural. Rio de Janeiro, Brazil), “Le jour qui vient" (Galerie des Galeries, Paris, France, 2017), “Arte Africana Contemporânea e Estética das Traduções” (Bienal de Dakar, Dakar, 2016); “Bienal Internacional de Arte Contemporânea de Casablanca” (Casablanca, Marrocos, 2016), “Addis Foto Fest” (Addis Abeba, 2016), “Telling Time” (Rencontres de Bamako Bienal Africaine de la Photographie edição 10 éme, Bamako, 2015); “Ilha de São Jorge” (14ª Arquitectural de Veneza, 2014); “Linha de Armadilha” (São Tomé e Príncipe Biennial, 2013), “Do you Hear Me?” (Estado do Mundo, Fundação Calouste Gulbenkian, Lisboa, 2008);
Her work is represented in private and public collections such as Fundação Calouste Gulbenkian, Portugal, Museu Nacional de Arte Contemporânea do Chiado (MNAC), Lisboa, Portugal, MAAT, Lisbon, Portugal, Arquivo Municipal de Lisboa, Portugal, 21c Museum Hotels, Louisville, Kentucky, USA, Soho House, London, UK,  Colección Alma Colectiva, Guadalajara, Mexico, Nesr Foundation, Luanda, Angola and PLMJ, Lisbon, Portugal, among others.

Noé Sendas (Brussels, Belgium, 1972) lives and works in Berlin, Madrid and Lisboa. Sendas began presenting his work in the late Nineties. Explicit and implicit references to artists and literary, cinematic or musical creations are part of his raw materials. Specific concerns about the reflection and practise of visual arts can also be added to his repertoire. These include: the body, as an entity that is simultaneously theoretical and material; the observer’s perception mechanisms; or the discursive potential of exhibition methods.

His work has been shown in numerous solo and group exhibitions, including CAV Center for the Visual Arts, Coimbra, PT; Contretype – Centre d’art contemporain pour la Photographie, Brussels.B; Porto’s Municipal Gallery, Porto, PT; Multimedia Art Museum (MAMM), Moscow; Maat Museum, Lisboa; Kunstraum Botschaft, Berlin Calouse Gulbenkian Museum, Lisboa; MEIAC Museu Extremeno e Iberoamericano de Arte Contemporaneo Badajoz; C/O Berlin Foundation, Berlin; MNAC The National Museum of Contemporary Art-Museu do Chiado, Lisbon, DesignhausDarmstadt, Darmstadt, DE; VAC-Visual Arts Center at the University of Texas, Texas, USA; Patio de la Infanta - Ibercaja, Zaragoza, SP; Goethe-Institut/ Instituto Cervantes, Stockholm; TENT, Rotterdam, ND; CAHO-Centro de Artes Helio Oiticica, Río de Janeiro, BR; Museo de Arte Contemporáneo Gas Natural Fenosa, La Coruña, SP; Museu Fundación ICO, Madrid.ES; Kunstmuseum Bonn, G; Akademie der Kunst, Berlin (a.o.)