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Carla Cabanas' work engages with methodologies that expand the defined boundaries of the photographic medium, while also exploring issues of personal, collective, and cultural memory. Carla has exhibited her work in numerous solo and group exhibitions, including the Vila Franca de Xira Photography Biennial, National Museum of Contemporary Art – Chiado, Lisbon; IX Biennial of Contemporary Art Fundación ONCE, CentroCentro, Madrid, Spain; Centro de Arte Quetzal, Vidigueira; Casa da Cultura, Elvas; National Museum of Natural History and Science, Lisbon; OVNi – International Video Art Festival, Villa Victoria hotel, Nice, France; Iberian Museum of Archaeology and Art, Abrantes; Contemporary Art Centre of Coimbra; Carlos Carvalho Gallery – Contemporary Art, Lisbon; Appleton [Box], Lisbon; Centre Photographique d’Île de France; Arquipélago – Centre for Contemporary Arts, Azores; Brotéria, Lisbon; MAAT – Museum of Art, Architecture and Technology, Lisbon; Berardo Collection Museum, Lisbon; Centre d'Art Contemporain, Meymac, France; Aa Collections Gallery, Vienna; Biennale de l’Image Tangible, Paris; Grimmuseum, Berlin; Castello Visconteo Di Legnano, Milan, Italy; Panal 361, Buenos Aires, Argentina; Lisbon City Museum; Eugénio de Almeida Foundation, Évora; Carpe Diem Art and Research, Lisbon; Lisbon Municipal Photographic Archive; 7th São Tomé and Príncipe Biennial; Círculo de Bellas Artes, Madrid; and CCCB – Centre de Cultura Contemporània de Barcelona, among others.

In 2022, she was a finalist for the FLAD Drawing Prize from the Luso-American Foundation; in 2012, she received an Honorable Mention at the Purificación Garcia Photography Award and 3rd place at the Ariane de Rothschild Painting Prize, 2005. She has attended artist residencies in Austria, Germany, and São Tomé and Príncipe, as well as several in Portugal.

Her work is part of various collections, including: National Gallery of Art, Washington, DC; CACE (Contemporary Art Collection of the Portuguese State); MAAT – Museum of Art, Architecture and Technology; Luso-American Foundation; LPS Collection (Stanislas and Leticia Poniatowski); Colección Kells, Santander; PLMJ Foundation Collection; Novo Banco Art Collection; LPS Collection; Lisbon City Council; and other private collections.

“Pinnacle Grouse” (Imaginary Beings - The Bestiary series), 2023
Inkjet print on Hahnemühle paper, gold leaf (imitation), rotating motor, magnets.
93x45x40cm.

“A Bao A Qu” (Imaginary Beings - The Bestiary series), 2023
Inkjet print on Hahnemühle paper, gold leaf (imitation), rotating motor, magnets.
Variable dimensions.

“A Bao A Qu” (Imaginary Beings - The Bestiary series), 2023
Inkjet print on Hahnemühle paper, gold leaf (imitation), rotating motor, magnets.
Variable dimensions (detail)
“A Bao A Qu” (Imaginary Beings - The Bestiary series), 2023
Inkjet print on Hahnemühle paper, gold leaf (imitation), rotating motor, magnets.
Variable dimensions (detail)
O que ficou do que foi - O álbum Cabanas - Meus Bisavós II, 2023, Intervention on silver gelatin print, 20 x 20 cm 
O que ficou do que foi - O álbum Cabanas - Tia-avó, 2023, Intervention on silver gelatin print, 20 x 20 cm 
Seres Imaginários - ouro, 2022
Intervention and gold leaf (22K) on inkjet print, 15 x 22,9 cm
Seres Imaginários - ouro, 2022
Intervention and gold leaf (22K) on inkjet print, 15 x 22,9 cm
Seres Imaginários - ouro, 2022
Intervention and gold leaf (22K) on inkjet print, 15 x 22,9 cm
I don't trust myself when I'm sleeping II - It was the wrong plan, 2021
Intervention and gold leaf (22K) on color photographs
48,8 x 44 cm
I don't trust myself when I'm sleeping II - Our lips are sealed, 2021
Intervention and gold leaf (22K) on color photographs
48,8 x 44 cm

I don't trust myself when I'm sleeping II - You haven't been lucky at all, 2021

Intervention and gold leaf (22K) on color photographs
70 x 60 cm
I don't trust myself when I'm sleeping II - Don't do this!, 2021
Intervention and gold leaf (22K) on color photographs
60 x 70 cm
The Mechanics of Absence II, 2017
Installation with synchronised 35mm slide projection, 7 projections, Copper e Tulle. Dimensions variable
The Mechanics of Absence II, 2017
Installation with synchronised 35mm slide projection, 7 projections, Copper e Tulle. Dimensions variable

The Mechanics of Absence II, 2017
Installation with synchronised 35mm slide projection, 7 projections, Copper e Tulle. Dimensions variable
Eclipse, 2017-2018.
Lambda print, light box, metal, 30 x 45 x 14 cm
Eclipse, 2017-2018.
Lambda print, light box, metal, 30 x 45 x 14 cm
Eclipse, 2017-2018.
Lambda print, light box, metal, 30 x 45 x 14 cm
Eclipse, 2017-2018.
Lambda print, light box, metal, 30 x 45 x 14 cm
Eclipse, 2017-2018.
Lambda print, light box, metal, 30 x 45 x 14 cm
Eclipse, 2017-2018.
Lambda print, light box, metal, 30 x 45 x 14 cm
What remains of what it was – Unknown Album, 2012
Intervention on inkjet print, 110 x 90 cm
What remains of what it was – Unknown Album, 2012
Intervention on inkjet print, 110 x 110 cm
What remains of what it was – Unknown Album, 2012
Intervention on inkjet print, 110 x 110 cm
Palavra Arquivada - Ericeira, 2014
Laser cutting on inkjet print, variable sizes
Palavra Arquivada - Monsaraz, 2014
Laser cutting on inkjet print, variable sizes
Palavra Arquivada - Rosanna Motiv, 2014
Laser cutting on inkjet print, variable sizes
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