José Bechara (Rio de Janeiro, Brazil, 1957) works on a wide field of research such as space, volumetry, surface, composition showing the result of his investigation through a series of work using painting, drawing, sculpture, photography and installation. The artist often reuses truck canvas tarps, manipulates oxides of carbon, copper and steel to produce diptychs, triptychs or polyptics with different intensities exploring cores, lines and patterns.

The artist had shown his work in various institutions such as: Eva Klabin Foundation, Brazil; Culturgest, Portugal, MEIAC, Spain; Valencian Institute of Modern Art, Spain; MAM Rio de Janeiro, Brazil; Tomie Ohtake Institute, Brazil; Ludwig Museum, Germany, Haus der Kulturen der Welt, Germany; Ludwig Forum Fur Intl Kunst, Germany, and Calouste Gulbenkian Foundation, Portugal, among others. He is represented in several collections such as MAM RJ, Gilberto Chateaubriand Collection, Brazil, Center Pompidou, France, Pinacoteca do Estado de São Paulo, Museu Brasil or Ludwig (Koblenz), Germany.

Marguerite Bornhauser's (1989, Paris) work has been shown at the museum of European Photography in Paris and Paris Photo in 2019, in the streets of Cincinnati for the Cincinnati Art museum, in Arles during the festival of Photography, in Deauville during the Festival Planches Contact, at BETC agency, Agnès B, in the festival MAP Toulouse, in London, etc. Marguerite Bornhauser adds editorial work to her photographic research. Her first book, Plastic Colors, was selected among the finalists of the first book award of Mack books in 2015 and published in 2017. Her book "8" was published by Poursuite in 2018. In 2019 she published Red Harvest with the same publisher. She also collaborates with french and international magazines and newspapers as a photoreporter and portrait photographer as well as a fashion photographer. Red Harvest, Poursuite Editions, 2019, 8, Poursuite Editions, 2018, Plastic Colors, Les Editions du Lic, 2017, Carnet de Résidence du Hameau des Baux, Poursuite Editions, 2017, Fisheye photobook, 2017, 8, Self published, 2016, Festival de créations photographiques à Deauville Edition 6, Filligranes Editions, 2015, Echappées Belles, Edition Diaphane, 2015, Plastic Colors, Self published, January 2015. In 2020 she won the Photo London x Nikon Emerging Photographer of the Year Award. Currently she is making a residency in Le Grand Palais and showing her work in the exhibition Rouge at Maison Européenne de la Photographie, Paris.

Mónica de Miranda (Porto, 1976) is an artist and researcher, her work is based on themes of urban archaeology and personal geography. She works in an interdisciplinary way with drawing, installation, photography, film, video and sound, in its expanded forms and in the boundaries between fiction and documentary. She exhibits regularly and internationally since 2004 being nominated for Prix Pictet Photo Award (2016), Novo Banco Photo Prize (2016) and EDP New Artist prize (2019).
Her solo exhibitions include: “no longer with the memory but with its future" (Oratorio di San Ludovico, Veneza), “Taxidermy of the Future” (Museu de História Natural de Luanda, Angola, 2020), "Geografia Dormente" (Galeria Municipal de Arte, Almada, Portugal, 2019), “Tomorrow is Another Day” (Carlos Carvalho Arte Contemporânea, Lisboa, 2018),“Panorama” (Banco Económico de Luanda, Luanda, 2019;“Hotel Globo” (Museu Nacional de Arte Contemporânea do Chiado, Lisboa, 2015), “Arquipélago” (Galeria Carlos Carvalho, Lisboa, 2014).
Her collective exhibitions include: "Europa Oxalá" (curated by António Pinto Ribeiro, Katia Kameli and Aimé Mpane, Calouste Gulbenkian Foundation, 2022), "Dissonances" (MNAC, Lisboa, 2021), "Fotofest Biennial 2020", Houston, EUA, “Utopía y Distopias en el paisaje contemporáneo”, (MAAC, Guayaquil, Equador, 2019), “Taxidermy of the Future” (Bienal de Lumbumbashi, Congo, 2019), “EDP New Artists Prize”, (MAAT, Lisbon, Portugal, 2019), “Fiction and Fabrication. Photography of Architecture after the Digital Turn”, (MAAT. Lisbon, Portugal, 2019), “Doublethink: Doublevision” (Pera Museum, Istambul, Turkey, 2017), “Daqui Pra Frente” (CAIXA Cultural. Rio de Janeiro, Brazil), “Le jour qui vient" (Galerie des Galeries, Paris, France, 2017), “Arte Africana Contemporânea e Estética das Traduções” (Bienal de Dakar, Dakar, 2016); “Bienal Internacional de Arte Contemporânea de Casablanca” (Casablanca, Marrocos, 2016), “Addis Foto Fest” (Addis Abeba, 2016), “Telling Time” (Rencontres de Bamako Bienal Africaine de la Photographie edição 10 éme, Bamako, 2015); “Ilha de São Jorge” (14ª Arquitectural de Veneza, 2014); “Linha de Armadilha” (São Tomé e Príncipe Biennial, 2013), “Do you Hear Me?” (Estado do Mundo, Fundação Calouste Gulbenkian, Lisboa, 2008);
Her work is represented in private and public collections such as Fundação Calouste Gulbenkian, Portugal, Museu Nacional de Arte Contemporânea do Chiado (MNAC), Lisboa, Portugal, MAAT, Lisbon, Portugal, Arquivo Municipal de Lisboa, Portugal, 21c Museum Hotels, Louisville, Kentucky, USA, Soho House, London, UK,  Colección Alma Colectiva, Guadalajara, Mexico, Nesr Foundation, Luanda, Angola and PLMJ, Lisbon, Portugal, among others.